Ok Raul. I’ve watched the first three episodes of Dollhouse. I’m going to wait till I watch the whole season before I write about it in full but I thought I’d give you updates along the way. By the way, I’m glad I waited until the third episode to even look for Read the rest of this entry »
I’ve long felt that Community should be a four-season series. It’s college after all, and community college is supposed to be for only two years. I suppose they could stretch it out with some sad-but-true employment/economic commentary, but in this Thursday’s trio-episode season finale (rushed to close out May sweeps thanks to a woefully delayed season premiere from NBC), I started to feel more strongly the “been there, done that” conclusion voiced by Jeff Winger. Okay, you’ve learned to be friends – again – and you’ve learned that friendship requires some self- Read the rest of this entry »
I feel faintly ridiculous whenever I find myself mourning a public personality. But today I feel mournful and I can’t get around it. Donna Summer died on Wednesday.
When I got the RIP email, I was seized by a flashback – the moment of sadness instantly routed by a kindly brain circuit to a distant memory of sheer exhilaration. The summer of 1978. A crazy slumber party. The 45 rpm of Last Dance spinning on the record player Read the rest of this entry »
The drive-ins opened last month. Spring is really, really here. And my weekend is shaping up to be rather fantastic. I don’t even care if The Avengers or Dark Shadows disappoints – because I’m seeing them at the drive-in.
There isn’t really that much in the world I enjoy more than the drive-in experience. It was a small but quintessential part of my childhood: my parents taking my brother and me to James Bond triple-features and Apple Dumpling Gang/Witch Mountain/Kurt Russell Disney movies. It also provided a stretch of greatness through high school: riding in the trunk to get in Read the rest of this entry »
I’ll get to the movie. Give me a minute.
In considering Joss Whedon’s TV series, Dollhouse, I recognized that the Dolls could easily be interpreted as Whedon’s meta-commentary on his creation, use, and sometimes disposal of characters, particularly female ones. (I’ll never forgive him for what he did with Cordelia on Angel.) Joss Whedon is acutely aware of his position as creator and how his faithfully, or obsessively, his fan base follows his creations. After Buffy, Angel, and Firefly, he was due some navel-gazing with Dollhouse.
Yet I chose to watch the show from more of a sci-fi perspective than from the standpoint of how a creator considers his creations. I found the questions raised in Dollhouse about humanness, Read the rest of this entry »
There’s a YouTube video out there with clips from The Simpsons dubbed with lines from Breaking Bad.
It’s a great mashup – funny, clever and proof that the creator is a fan of both shows. My favorite detail is that even the opener is a mashup of both the Breaking Bad logo and The Simpsons font. They could have been lazy here but they went all the way. All the details are great – Bart Simpson as chronic fuck-up Jesse Pinkman, Maude Flanders as Skyler White, Cleetus and Brandine as meth heads, Lionel Hutz as sleazy Saul Goodman is spot on, Mr. Burns’ beloved teddy bear Bobo as the bear from the airplane crash and episode openings for season two, the barfing frog prince as junkie Jane is inspired and of course Ned Read the rest of this entry »