Ugh. This cutesy account of the fantastic, fame-mad Jacqueline Susann is a squandered opportunity for mixing tragedy, blind ambition, sex, and celebrity into an overheated yet still moving masterpiece about a polarizing figure from American literary pop culture.
How do I know the potential of this story? Because Michele Lee (the grounded and long-suffering Karen from Knots Landing) brought it to fruition with her 1998 TV-movie version about Susann, which delved far deeper into Read the rest of this entry »
Noir prescient of Dynasty – complete with a repeatedly hazardous grand staircase.
Lewis Milestone’s 1946 film boasts a slightly puffy class-based soap opera middle bookended by some terrific noir set pieces at the outset and the finale.
The script by Robert Rossen suggests an innate corruption in inherited wealth and capitalistic ambition by contrasting its adolescent characters to their adult counterparts, primarily the titular Martha Ivers, who first appears as a willful runaway (a perfectly cast Janis Wilson, who matches Barbara Stanwyck in not only in appearance, but also captures her unyielding countenance and anxious interior). Stanwyck closes out the same character as a duplicitous, treacherous industrial magnate and adulteress with just a sad whisper (literally, in her dying breath) of the fresh, headstrong teenager we’d met in the opening. She has rotted, not quite to the core, and her corruption, which bleeds into Read the rest of this entry »