Ugh. This cutesy account of the fantastic, fame-mad Jacqueline Susann is a squandered opportunity for mixing tragedy, blind ambition, sex, and celebrity into an overheated yet still moving masterpiece about a polarizing figure from American literary pop culture.

How do I know the potential of this story? Because Michele Lee (the grounded and long-suffering Karen from Knots Landing) brought it to fruition with her 1998 TV-movie version about Susann, which delved far deeper into Read the rest of this entry »